Razzie Movie Review: Movie 43 and my Golden Raspberry Award Picks

And to think that before today, I had to really think about it before deciding what was the worst movie I’d ever seen.

 Movie 43

Directed by: Sadistic hacks who should have known better.

Produced by: Sadistic hacks who should have known better.

Written by: Sadistic hacks who should have known better.

Genres: Sketch “Comedy”,  Gross-Out “Comedy”

Starring: Oh, my God, you guys didn’t have to do this. For fuck’s sake, some of you guys have  Oscar nominations. Hell, Halle Berry HAS a goddamn Oscar!

Razzie Nominations: Worst Screen Combo (Entire Cast), Worst Screenplay, Worst Actress (Berry), Worst Actress (Watts), Worst Director (All 13 Directors) Worst Picture

Plot: The different sketches that comprise this movie are part of a plot that involves a group of teenagers’ internet search for the fabled “Movie 43”, which is supposedly the most outrageous movie ever made. I understand that there’s another version of this sketch that stars Common and Dennis Quaid, but I’m sure I’m not missing that much.

The Catch: Beth (Kate Winslet) is a single businesswoman going on a blind date with Davis (Hugh Jackman), who is supposedly the city’s most high-profile bachelor. Everything seems to be going well until Davis takes off his scarf to reveal the pair of testicles hanging from his chin! And get this: Beth is the only one who seems to notice the testicles!

Improbably, this isn’t even the stupidest sketch in the whole fucking movie. I really wish it had just ended here, but alas…

Homeschooled: A newly moved-in couple (Alex Cranmer and Julie Ann Emery) have coffee with their new neighbours, Robert (Liev Schreiber) and Samantha (Naomi Watts). Rob and Samantha describe in detail their program of homeschooling their son (Jeremy Allen White). Bullying, hazing, detentions, and possible incest ensue.

The Proposition: Julie and Doug (Real-life married couple Anna Faris and Chris Pratt, respectively) have been in a happy relationship for over a year. However, when Doug is about to propose to her, she reveals that she wants him to poop on her. With the help of his friend (J.B. Smoove), Doug sets out to shit on his girl in the most romantic way possible.

At this point in the movie, I was seriously considering suicide. There would be many more suicidal thoughts over the next hour or so.

Veronica: Grocery store cashier Nate (Macaulay Culkin’s younger brother, Kieran) meets his ex-girlfrien Veronica (Emma Stone) at his job. Disturbing conversations ensue.

iBabe: Richard Gere discusses how to market the iBabe, which is like an iPod, but it’s a full-grown naked woman, and which is mangling the dicks of the teenage boys who inevitably try to fuck it, with his workers (Kate Bosworth, Aasif Mandvi, Jack McBrayer). It’s kind of hard to argue with the whole “Teenage boys fucking things they shouldn’t be fucking” theme, but this is still one of the stupidest things I’ve ever seen.

Superhero Speed Dating: I’m just gonna skip this one. Any problems with that? Cool.

Middleschool Date: Nathan (Jimmy Bennett) and Amanda (Chloe Grace Moretz) are having a (Admittedly, pretty realistic) date at Nathan’s place when Amanda has her first period. I will never again watch Kick-Ass with the same sense of wonder.

Happy Birthday, Truth or Dare, Victory’s Glory: These are all garbage. Every single fucking one. Every fucking second of these pieces of shit.

Beezel: Whoever thought that this segment would be funny deserves to be dragged out into the street and shot. 

Acting: I usually like talking shit about movies, but this movie is just the most painful thing to dwell on. All the actors are atrocious, because most of them just don’t give a shit about this film.

Weirdly enough, the character I most identified was Chloe Grace Moretz’s character. Not because I’m a teenage girl having her first period, but because of her line “WILL YOU IDIOTS JUST SHUT THE FUCK UP!!!”, which is a line that I wish was screamed at the people who pitched this goddamn movie.

In short, there is nothing even remotely good about this movie. So, this piece of shit has the distinction of being the first movie to which I award the following rating.

Overall Rating: 0/10

***

So, I’m pleased to say that, for the first time ever, I’ve managed to watch all the Oscar-(And Razzie-) nominated money before their rating. Problem is, I haven’t had time to post a review in between school, homework, my job bitching about the Blue Jays, and, you know, actually watching the goddamn movies. So, while I’ve watched all the movies, the reviews are still gonna run a little late. I’m sure this would piss me off, but I’m getting pretty sick of these reviews.

Now, don’t worry loyal readers, the reviews are still. coming, and I’m gonna put ’em out as quick as possible. It’s just that I’m also gonna go back to also writing about baseball, music, and whatever else is on my mind.

Anyways, here are my picks for the 2014 Golden Raspberry Awards, from my first pick to my third pick (Any category that has an asterisk next to it is a category in which I didn’t watch most of the movies because they weren’t “Worst Picture” nominees. However, if one of the movies I didn’t see wins an award, I’ll make a point to add it to my upcoming reviews).

Worst Screenplay: 

  1.  Movie 43. I judge comedy scripts on how funny they are (Obviously). This movie…. Was not funny.
  2. After Earth. “Danger is real…Fear is a choice….” That about says it all.
  3. Grown Ups 2. It’s post-Funny People Adam Sandler, so that should tell you all you need to know.

Worst Director:

  1. The 13 People who who directed Movie 13. Brett Ratner is one of them, which seems about right.
  2. M. Night Shyamalan (After Earth). Holy shit, it really has been 15 years since The Sixth Sense, huh?
  3. Dennis Dugan (Grown Ups 2). Dennis, just stop. Please…Just..Stop.

 Worst Prequel, Rip-Off or Sequel*:

  1. Grown Ups 2: It’s not like the original one was good, but it’s a bad sign when getting rid of Rob Schneider isn’t addition via subtraction.
  2. The Lone Ranger: I dunno if it really sullied the original’s proud reputation of racism, but it still sucked.

Worst Screen Combo: 

  1. Jaden and Will Smith (After Earth): You’d think a father/son combo would have a little more chemistry, but you’d be wrong.
  2. The entire cast of Movie 43. I feel sorry for them, but they were still awful.
  3. The entire cast of Grown Ups 2. Honestly, Nick Swardson drags this cast through the mud even more.

Worst Supporting Actress*: 

  1. Salma Hayek (Grown Ups 2): She’s the only nominee I’ve seen, but she was still atrocious.

Worst Supporting Actor:

  1. Nick Swardson (Grown Ups 2 and A Haunted House): I hate, hate, hate Nick Swardson. He’s a lock for a Razzie in whatever he’s in.
  2. Will Smith (After Earth): I expect more from the Fresh Prince.
  3. Taylor Lautner (Grown Ups 2): Though, if I must be honest, his karate moves were pretty badass.

Worst Actress*: 

  1.  Naomi Watts (Movie 43 and Diana): Honestly, though, they could have picked any actress in that movie.
  2. Tyler Perry (A Madea Christmas): What did I just see? What the FUCK did I just see?!?!

Worst Actor*:

  1. Jaden Smith (After Earth): Holy shit Jaden, just stick to your terrible rap songs, okay?
  2. Adam Sandler (Grown Ups 2) He wasn’t the worst actor in this movie, but still…

Worst Picture:

  1. Movie 43
  2. After Earth
  3. Grown Ups 2

The Oscar/Razzie Project

It’s Oscar season once again, folks, and boy, oh boy, is there ever a lot of deserving nominations for the categories. 12 Years a Slave was a potent tale about, um, slavery, American Hustle…. Had a…Good cast, Nebraska had brilliant shots of…Nebraska, I guess, and The Wolf of Wall Street was one hell of a monster movie.

“Oh, shit! Run!”

As you probably guessed, I haven’t actually seen any of the nominees for best picture. Every year, I make a promise to myself that I’m going to watch all or most of the Oscar-nominated movies, and each year, I stay home and watch a nineties superhero cartoon on Netflix.

In my defense, I think the majority of the Oscar-watching population doesn’t actually watch any of the movies. That’s okay, because there’s so much else going on. You can (Hopefully) laugh at the host, you can see all your favourite actors and actresses wear beautiful clothes and pretend they don’t loathe each other, and you may have the chance to see somebody richer and more successful than you embarrass themselves on live TV! It’s a win for everybody, really.

However, for whatever reason, this year, I feel like watching all the best picture nominees, if only because I hate being out of the know if something is supposed to be really good. So, this year, I’ve decided to watch all of the Oscar movies (That is, the Best Picture Nominees) and, after watching, each one, I’ll post a short review on this blog.

There’s more, however.

See, I’m not content with only doing the nominees for the best in film-making. I’m also insanely curious to see what the WORST in film was like this year. Therefor, in addition to the Oscars, I will also be following the little known awards show known as the Golden Raspberries (Also known as the “Razzies”).

To give you an idea of what these short reviews will look like, here is a short review on a movie I watched last night that also happens to be a nominee for ten Razzie awards:

 Grown Ups 2 

 Directed by: Dennis Dugan (Of course)

 Produced by: Adam Sandler, Jack Giarraputo

 Written by: Adam Sandler, Tim Herlihy, Fred Wolf

 Genre: Gross-out Comedy

  Starring: Adam Sandler, Kevin James, Chris Rock, David Spade (Yuck), Nick Swardson (Ick) Salma Hayek, Maria Bello, Maya Rudolph, Alexander Ludwig, Taylor Lautner

  Golden Raspberry Nominations: Worst Picture, Worst Director (Dennis Dugan), Worst Actor (Adam Sandler) Worst Supporting Actor (Taylor Lautner) Worst Supporting Actor (Nick Swardson) Worst Supporting Actress (Salma Hayek) Worst Screenplay (Adam Sandler, Tim Herlihy, Fred Wolf) Worst Screen Combo (The entire cast) Worst Prequel, Rip-off or Sequel

Plot: A sequel to 2010’s Grown UpsGrown Ups 2 tells the continuing story of Lenny Feder, his wife (Salma Hayek) and kids, his best friends, Eric (Kevin James), Kurt (Chris Rock) and Marcus (David Spade) and their respective families, who have all moved back to their Connecticut hometown where they all grew up. I have no idea if I have any readers from Connecticut, but if so, I must ask: How often do deer break into your homes and urinate on you? Because that happens in the first two minutes of this movie.

Actually, “plot” is a bit of a misnomer. There is way too much shit going on in this movie, and none of it is the least bit interesting or funny. Adam Sandler movies have never been much for sophisticated plot crafting, but there was still at least some semblance of heart in movies like Happy Gilmore, Billy Madison and Click. I like to think of him as the poor man’s Will Ferrell. They’re two SNL alumni who make comedic movies with tons of heart under the somewhat lowbrow humour. Unfortunately, while Will Farrell is still hilarious, coming off critical and financial successes with Anchorman 2 and The Campaign, Sandler has not been even remotely near the top of his game for a few years now. Jack and Jill, That’s My Boy and now this.

But, I digress. Anyways, long story short, they decide to throw a party, hi-jinks and questionable cameos ensue.

Acting: Oh, Jesus, where do I even start?

I know that movies like this aren’t made to be Oscar-worthy, but seriously? These performances were God-awful, even by Happy Madison standards There are actually some damn talented people involved in this movie, but none of them even tried to do the best they could with what they got (Though, admittedly, there wasn’t exactly much to work with in the first place). Obviously, I wasn’t expecting too much from people like Nick Swardson, David Spade, Taylor Lautner, Kevin James or Shaquille O’Neal (Seriously), but I was at least expecting people like Adam Sandler, Salma Hayek, Chris Rock and Steve Buscemi to show a goddamn pulse, at least!

Worst of all are the portrayals of the women. They’re all depicted as shallow, overly nurturing and/or hormonal. Actually, they’re maybe not quite as offensive as this kid…

…But it’s still bad.

Oddly enough, the best performance was by Stone Cold Steve Austin. This is, however, nowhere close to being a credit to the incredible acting range of Mr. Austin.

Which Razzie nominations does it deserve?: 

  • Worst Screenplay: Absolutely. There was nothing funny about this movie, and it fails even when trying to be serious.
  • Worst Director: Yes. Dennis Dugan may be the furthest possible thing from Martin Scorsese.
  • Worst Sequel: Yup.
  • Worst Screen Combo: Absolutely. There wasn’t a single good performance in this movie.
  • Worst Supporting Actress (Salma Hayek): Yes. She may be one of the best actresses to come out of Latin America ever, but she sure as hell didn’t show it here.
  • Worst Supporting Actors (Taylor Lautner and Nick Swardson): Again, yes. Taylor Lautner sucked, and Nick Swardson has never once made me laugh. Ever. For all I know, he may be a nice person (Although if he’s anything like his characters, I doubt it), but honestly, at this point, I just hate the guy. (I would have also nominated David Spade, though)
  • Worst Actor (Adam Sandler): He definitely deserved the nomination, but I don’t know if I’d consider him as bad as Lautner, Swardson, Spade or O’Neal.
  • Worst Picture: Oh yeah, this was a disaster, through and through.

   Overall Score: 2/10 

Battle of the Superhero Film Franchises!!! (Part 2-Lists n’ Shit)

(This is a continuation of this post.)

In my ongoing search for the most overall successful superhero franchise, I have already laid out the franchises vying for the title. Now, I will rank them from worst to first in five categories. I promise not to do a Part 3, not only because I already do it way too much, but also because that is lazy as hell.   Oh, and by the way, SPOILER ALERT!!!!!

So, anyways…

CRITICAL RECEPTION 

(This is defined by the average critical rating on Rotten Tomatoes for a film from the franchise)

(Also, I did not include The Amazing Spider-Man, Man of Steel or Kick-Ass, since I decided that having franchises with only one released movie skewed the rankings.)

  1. The Dark Knight-89%
  2. Hellboy-84%
  3. Spider-Man-82%
  4. Marvel Cinematic Universe -80%
  5. X-Men-69
  6. Superman-58%
  7. Batman-51%
  8. Blade-47%
  9. Fantastic Four-32%
  10. Ghost Rider-22%

So, what have we learned?

Mainly that a) Critics love Christopher Nolan as long as Zack Snyder stays the hell away. B) It’s easy to have one or two bad movies drag your score down (X-Men, Superman and Batman) and c) Nicolas Cage is pretty much persona non grata as a leading man in any movie he so much as glances at.

Unless he dies violently. Then, all’s good.

AUDIENCE RECEPTION

(Ditto, but with the Rotten Tomatoes Audience ratings.)

  1. The Dark Knight-91%
  2. Marvel Cinematic Universe-79%
  3. X-Men-78%
  4. Blade-71%
  5. Hellboy-67%
  6. Spider-Man-67%
  7. Superman-54%
  8. Fantastic Four-53%
  9. Batman-52%
  10. Ghost Rider-43%

So, what have we learned?

A) There is nothing redeemably good about Ghost Rider or Fantastic Four and B) My system is broken if Blade can finish above Soider-Man, but eh, fuck it. We learn from our mistakes, right?

Er, right….

PROFITS PER MOVIE 

(You don’t really need an explanation for this, do you? (I didn’t include profits for The Wolverine, because it’s too soon to say for sure).

  1. Spider-Man-$633,115,506
  2. The Dark Knight-$624, 939, 468
  3. Marvel Cinematic Universe-$544,283,685
  4. Fantastic Four-$389, 627, 482$
  5. Blade-$251, 098, 928
  6. Batman- $228, 226, 886
  7. X-Men-$213, 019, 524
  8. Ghost Rider- $97, 151, 160
  9. Superman-$81,690,123
  10. Hellboy- $54, 353,525

What have we learned?

Mainly that box offices are the place where mediocre movies can shine and where good movies can suck.

Pacific Rim FilmPoster.jpeg

With a profit of just over $30 million, Pacific Rim is proof that the system is broken.

MY OPINION

  1. The Dark Knight
  2. Marvel Cinematic Universe
  3. X-Men
  4. Spider-Man
  5. Hellboy
  6. Superman
  7. Blade
  8. Batman
  9. Fantastic Four
  10. Ghost Rider

OVERALL STANDINGS

(These were calculated by adding points for each standing in each category. 1st Place=10 Points, 2nd Place= 9 Points and so on.)

  1. The Dark Knight-39 Points
  2. Marvel Cinematic Universe-31 Points
  3. Spider-Man-28 Points
  4. X-Men-26 Points
  5. Hellboy-22 Points
  6. Blade-20 Points
  7. Superman-15 Points
  8. Batman-14 Points
  9. Fantastic Four-14 Points
  10. Ghost Rider-6 Points

What have we learned?

First of, I’m pretty sure nobody was doubting that the Dark Knight trilogy  would come in first.

Also, that I don’t know how to adjust movie profits for inflation, so maybe don’t take the “Profits” section too, too seriously.

Also, it can’t be stressed how much movies like Batman & Robin and Superman 4 dragged their respective franchises down. Without those two movies, what we’d have is a couple of solid move franchises.

Well, passable at least.

Coming Soon on Please Kill the Messenger: 

1. The confession of a My Chemical Romance fan.

2. A review of one of Guillermo del Toro’s best movies. (No, it’s not Pacific Rim, but I do need to see that.)

Battle of the Superhero Film Franchises!!! (Part 1-Meet the Franchises!)

Well, I’d say that it’s a pretty great time to be a superhero fan.

During the gathering of nerds and cosplayers known as Comic-Con (A world I desperately want to be a part of) several superhero movies were presented to the ever-voracious nerd public. The films include the second Thor movie (Loved the first one), The Wolverine (Fuck the first one), Captain America: Winter Soldier, the second Amazing Spider-Man movie (Damn, another one?) , X-Men: Days of Future Past, Avengers: Age of Ultron (Oh God, yes!!!), the Superman/Batman movie (Nerdgasm achieved), and Guardians of the Galaxy, which I don’t know shit about except for the fact that there’s a talking raccoon involved. 

SHUT UP AND TAKE MY MONEY!!!

That said, I got to wondering  about which superhero film franchises have been the most successful, both critically and commercially. So, I decided to rank thirteen franchises from worst to best in FOUR different categories, which are A) critical reception on Rotten Tomatoes, b) audience reception on Rotten Tomatoes, c) my opinion and d) the average commercial success per film of the series.

I define a franchise as being at least two confirmed films (For example, Kick-Ass would be considered a franchise because it has a released film and a confirmed film that has yet to be released. On the other hand, The Incredibles is not a franchise because at this point, any news of a sequel is just idle speculation. )

Well, fuck, I HOPE this is just speculation…

Anyways, let’s meet the franchises!

THE AMAZING SPIDER-MAN

Superhero: Spider-Man/Peter Parker

Films: The Amazing Spider-Man (2012), The Amazing Spider-Man 2 (2014 ), The Amazing Spider-Man 3 (2016), The Amazing Spider-Man 4 (2018) Fuck, talk about getting ahead of yourself.

Directed By: Marc Webb

Stars: Andrew Garfield, Emma Stone, Martin Sheen, Sally Field, Rhys Ifans , Jamie Foxx , Dane DeHaan , Paul Giamatti , Denis Leary, Chris Zylka

Suggested Tagline: “Anybody want another Spider-Man series humping the still-warm corpse of the Sam Raimi series? No? Well fuck you, here it is anyways.”

BATMAN (BURTON/SCHUMACHER) 

Superhero: Batman/Bruce Wayne

Films: Batman (1989), Batman Returns (1992), Batman Forever (1995), Batman & Robin (1997)

Directed By: Tim Burton , Joel Schumacher

Stars: Michael Keaton, Val Kilmer, George Clooney, Jack Nicholson, Danny Devito, Michelle Pfeiffer, Christopher Walken, Tommy Lee Jones, Jim Carrey, Arnold Schwarzenegger, Uma Thurman, Chris O’Donnell, Michael Gough, Kim Basinger,  Nicole Kidman, Alicia Silverstone

Suggested Tagline: “Before there was Christian Bale… There were Bat-Nipples.”

“BAT-NIPPLES!?!?!”

BLADE

Blade movie.jpg

Superhero: Blade/Eric Brooks

Films: Blade (1998), Blade 2 (2002), Blade: Trinity (2004)

Directed By: Stephen Norrington, Guillermo del Toro, David S. Goyer

Stars: Wesley Snipes, Kris Kristofferson,  Stephen Dorff , Donal Logue , Ron Perlman, Leonor Varela, Thomas Kreschmann, Luke Goss, Dominic Purcell, Parker Posey, N’Bushe Wright, Jessica Biel, Ryan Reynolds

Suggested Tagline: I’ve actually never seen any of the Blade movies.

Ow! Stoppit! Are those rocks?! You’re hurting me!


THE DARK KNIGHT
 

Superhero: Batman/Bruce Wayne

Films: Batman Begins (2005), The Dark Knight (2008), The Dark Knight Rises (2012) 

Directed By: Christopher Nolan

Stars: Christian Bale, Michael Caine, Gary Oldman, Morgan Freeman, Liam Neeson, Cillian Murphy, Tom Wilkinson, Heath Ledger, Aaron Eckhart, Anne Hathaway, Tom Hardy, Marion Cotillard, Katie Holmes, Maggie Gyllenhaal, Joseph Gordon-Levitt

Suggested Tagline: “I’m the goddamn BATMAN, motherfucker!”

“You tell ’em, unhinged sadistic psychopath Batman!”

FANTASTIC FOUR 

Oh boy, here we go…

Superheroes: Mr. Fantastic/Reed Richards, Invisible Woman/Susan Storm, The Thing/Ben Grimm, Human Torch/Johnny Storm

Films: Fantastic Four (2005), Fantastic Four: Rise of the Silver Surfer  (2007)

Director: Tim Story

Stars: Ioan Gruffudd,  Jessica Alba, Chris Evans, Michael Chiklis, Julian McMahon, Doug Jones, Laurence Fishburne (Voice Only), Kerry Washington

Suggested Tagline: “Fine, YOU try designing the Thing realistically, assholes!”

GHOST RIDER 

One would think you couldn’t possibly fuck this movie up, but one would be wrong.

Superhero: Ghost Rider/Johnny Blaze

Films: Ghost Rider (2007), Ghost Rider: Spirit of Vengeance (2012)

Director: Mark Steven Johnson, Neveldine/Taylor

Stars: Nicolas Cage, Peter Fonda, Wes Bentley, Johnny Whitworth, Ciaran Hinds, Eva Mendes, Violante Placido, Sam Elliott , Idris Elba

Suggested Tagline: “Yes, The Wicker Man did teach us nothing. So what?”

“Hell yes, this is the guy we want playing evil’s bane.”

HELLBOY

Superhero: Hellboy

Films: Hellboy (2004), Hellboy 2: The Golden Army (2008)

Director: Guillermo del Toro

Stars: Ron Perlman, Selma Blair, Doug Jones, John Hurt, Karel Roden, Jeffrey Tambor, Seth MacFarlane (Voice), Luke Goss, Anna Walton

Suggested Tagline: “What do you mean “Is Dark Horse still around?”‘

KICK-ASS 

Superheroes: Kick-Ass/Dave Lizewski, Hit Girl/Mindy MacReady, Big Daddy/Damon MacReady, Colonel Stars and Stripes

Films: Kick-Ass (2008), Kick-Ass 2 (2013)

Director: Matthew Vaughn, Jeff Wadlow

Stars: Aaron Taylor-Johnson, Christopher Mintz-Plasse, Chloe Grace Moretz, Nicolas Cage, Mark Strong, Jim Carrey

Suggested Tagline: “Ten year olds committing mass murder? Bring that shit on.”

Roman Polanski is shitting himself in fear right about now.

MAN OF STEEL

Superheroes: Superman/Clark Kent, Batman/Bruce Wayne

Films: Man of Steel (2013), Batman Vs. Superman (2015)

Director: Zack Snyder

Stars: Henry Cavill, Amy Adams, Michael Shannon, Diane Lane, Kevin Costner, Laurence Fishburne, Antje Traue, Ayelet Zurer, Christopher Meloni, Russell Crowe

Suggested Tagline: “Fine, we’ll add Batman. You fuckers interested yet?”

MARVEL CINEMATIC UNIVERSE 

Superheroes: Iron Man/Tony Stark, Hulk/Bruce Banner, Thor, Captain America/Steve Rogers, War Machine/James Rhodes, Black Widow/Natasha Romanoff, Hawkeye/Clint Barton, Ant-Man/Hank Pym, Nick Fury

Films: Iron Man (2008), The Incredible Hulk (2008), Iron Man 2 (2010), Thor (2011), Captain America: The First Avenger (2011), The Avengers (2012), Iron Man 3 (2013), Thor: The Dark World (2013), Captain America: The Winter Soldier (2014), Guardians of the Galaxy (2014), The Avengers: Age of Ultron (2015), Ant-Man (2015)

Directors: Jon Favreau, Louis Leterrier, Kenneth Branagh, Joe Johnston, Joss Whedon, Shane Black, Alan Taylor, Joe and Anthony Russo, James Gunn, Edgar Wright

Stars: Robert Downey Jr., Chris Evans, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Edward Norton, Mark Ruffalo, Samuel L. Jackson, Terrence Howard, Don Cheadle, Chris Pratt, Zoe Saldana, Dave Bautista, Lee Pace, Djimon Hounsou, Tom Hiddleston, Jeff Bridges, Tim Roth, William Hurt, Mickey Rourke, Sam Rockwell, Hugo Weaving, Ben Kingsley, Guy Pierce, Rebecca Hall, Stephanie Szostak, James Bridge Dale, Adewale Akinnuoye-Agbaje, Frank Grillo, Georges St.Pierre, Benicio del Toro, Clark Gregg, Jon Favreau, Ty Burrell, Tim Blake Nelson, Anthony Hopkins, Stellan Skarsgard, Idris Elba, Ray Stevenson, Tadanobu Asano, Joshua Dallas, Jamie Alexander, Sebastian Stan, Tommy Lee Jones, Dominic Cooper, Neal McDonough, Stanley Tucci, Cobie Smulders, Zachary Levi, Rene Russo, Emily VanCamp, Anthony Mackie, John C. Reily, Robert Redford, Glenn Close, Gwyneth Paltrow, Liv Tyler, Natalie Portman, Hayley Atwell,

Suggested Tagline: “We just really, really hate people who work at movie theaters.”

“Fuck you and fuck your post-credits scenes! Some of us need to clean this shithole of a theater!”

SPIDER-MAN 

Superhero: Spider-Man/Peter Parker

Films: Spider-Man (2002), Spider-Man 2 (2004), Spider-Man 3 (2007)

Directed by: Sam Raimi

Stars: Tobey Maguire, Kirsten Dunst, James Franco, Rosemary Harris, Willem Dafoe, Alfred Molina, Thomas Haden Church, Topher Grace, Rosemary Harris, Cliff Robertson, J.K. Simmons, Bryce Dallas Howard

Suggested Tagline: “Fuck it, let’s throw ALL the villains into one movie. What could possibly go wrong?”

SUPERMAN

Films: Superman (1978), Superman 2 (1980), Superman 3 (1983), Superman 4: The Quest for Peace (1987), Superman Returns (2006)

Directed By: Richard Donner, Richard Lester, Sidney J. Furie

Stars: Christopher Reeve, Brandon Routh, Gene Hackman, Kevin Spacey, Margot Kidder, Terence Stamp, Marlon Brando

Suggested Tagline: “Just try not to stare too much at the codpiece while the theme music is playing.”

X-MEN

Superheroes: No way I’m listing all of these guys. After the MCU? No way.

Films: X-Men (2000), X2 (2003), X-Men: The Last Stand (2006), X-Men Origins: Wolverine (2009), X-Men: First Class (2011), The Wolverine (2013), X-Men: Days of Future Past (2014)

Directed by: Bryan Singer, Brett Ratner (Booo!!!), Gavin Hood, Matthew Vaughn, James Mangold

Stars: Oh, fuck you.

Tune in soon for my rankings. Or to mock me for not being at Comic-Con. Either one.

Movie Review: Man of Steel

When I review movies, I can’t help but be a little swayed by movie critics. Sure, everything I write, I mean or agree with, but in an era where sites like like Rotten Tomatoes can give you a quick, effective overview of whether somebody liked the movie, or whether they hated it, and if their opinion of the film was an aberration or the status quo, gone are the days when you had to watch the movie for yourself to decide, more or less independently, what are quality films.

Also, which 9% of critics and 30% of audiences should probably be separated from the general population.

But occasionally, there comes a movie where I simply cannot agree with the critical consensus. Van Wilder is one such movie (18% from critics). Another is Superhero Movie because goddammit, if it has Leslie Nielsen, it’s good enough for me.

This is about the closest Canada had to Mr. Rogers. We miss ya, Leslie.

The movie I’m reviewing today (If only because I’m feeling burnt out from my stupid baseball articles) is one that has polarized both critics and fans, unusual for superhero movies, which are usually unanimously seen as good or bad, depending on how many shitty emo dance sequences occur.

Hee hee! Look at how his cheeks wobble!

Starring the only superhero that just won’t stay dead even if some may prefer it that way…

File:Deathofsuperman.jpg

Those have got to be the weakest wounds that anyone has died from.

…Ladies and gentlemen, give it up for…

Superman, bearing his traditional red and blue costume, is shown flying towards the viewer, with the city Metropolis below. The film's title, production credits, rating and release date is written underneath.

Directed By: Zack Snyder

Genre: Superhero

Based On: Superman by Jerry Siegel and Joe Shuster

Starring: Henry Cavill, Amy Adams, Michael Shannon, Kevin Costner, Diane Lane, Laurence Fishburne, Antje Traue, Ayelet Zurer, Cristopher Meloni, Russell Crowe

Legacy: People starting to realize that producer Cristopher Nolan is probably a pretty joyless guy.

“Bitch, please.”

Quick Plot Summary:

The scene: Planet Krypton, an advanced civilization comprised of genetically engineered humanoids whose jobs are all predestined from the moment they are conceived in vitro, and flying bird things that were totally not stolen from Avatar. The time: The Kryptonian apocalypse, a result of Krypton being bled dry of its natural resources, which resulted in an unstable core. The planet’s military commander, General Zod (Michael Shannon, looking every bit the part) deposes the ruling council via vaporization, while scientist Jor-El (Russell Crowe. Not singing, thank God)  and his wife Lara (Israeli actress Ayelet Zurer) launch their newborn son Kal-El, the last natural-born son on Krypton, on a spacecraft to planet Earth, after infusing him with a genetic codex of the entire Kryptonian race. What was the point of this? Fuck if I know. Zod murders Jor-El, but his coup is defeated and he is imprisoned in the Phantom Zone. However, Krypton blows up shortly afterwards, which makes going to all the trouble  of throwing somebody in jail, where he will be safe, while your own planet explodes seem pretty damn stupid, huh?

“Honestly? We were just in it for the brutality.”

Kal-El’s ship lands in what I’m going to assume is Smallville, Kansas, where he is brought up by Martha (Diane Lane) and Johnathan Kent (Kevin Costner), who christen him Clark Kent. Because Earth’s atmosphere is different from Krypton’s, or something, Clark develops superhuman abilities, including unreal strength, speed, flight, durability, heat vision and (most terrifyingly) X-Ray vision.

And the ability to make straight men’s sexuality do a complete 180.

After Johnathan reveals his extraterrestrial origins to him, he advises him not to use his powers publicly, fearing that society will reject him. This, despite humanities excellent track record with godlike beings who could crush them with a flick of the wrist.

Andre the Giant: Sent from the distant, doomed land known only as “France” to save us from ourselves.

Fast-Forward several years later, and Clark has matured into a bearded nomad (Henry Cavill) who roams the States…

Wow, you can hardly tell that both this movie and Batman Begins were written by Christopher Nolan and David Goyer, huh?

…Taking odd jobs under false names until he infiltrates a U.S. military investigation of a Kryptonian spaceship in the Arctic. Inside the ship, he discovers the preserved consciousness of Jor-El in hologram form. Holo-El reveals Kal-El’s true lineage to him and explains that he was sent to Earth in order to bring hope to mankind. After the revelation, Clark saves Daily Planet journalist Lois Lane (Amy Adams) from harm when she tries to sneak in and is attacked by the ship’s security system. Upon returning to Metropolis, her story of a superhuman saviour is rejected by her editor, Perry white (Laurence Fishburne). So she then traces Clark back to Smallville, intending to write an expose on the guy that was hanging around an alien spacecraft guarded by the U.S. military. Not once did she think that this might not be the best idea.

Though if she is going to release state secrets to the public, I’m sure Julian Assange could use some company.

Meanwhile, Zod and his soldiers, who survived the destruction of Krypton have made their way to Earth and hijack the world’s communication services to demand that Kal-El surrender themselves to him, in order to use him in his sinister plan that I won’t reveal because I have the sinking feeling that this plot summary has gone too long.

Overview:

Wow, where to begin?

To begin with a negative aspect of the film, I would have to go with what feels to me like an overall lack of originality. I know that it’s a waste of breath to complain about originality in movies today, but in this film, it’s clearly obvious that Christopher Nolan “borrowed” story elements from Batman Begins. Specifically, the part where Clark goes on his journey to “find himself” or whatever, which, you will recall, is exactly what Bruce Wayne did in Batman Begins. Nolan may have also borrowed a little bit too much of the tone from his  Dark Knight series. At times, Man of Steel seems incredibly bleak. Now, I’m not one to complain about this, because I like my heroes a little bit on the conflicted side, and hey, I’m growing up in the twenty-first century. Nothing can faze me.

If I survived the Great Twinkie Drought, then I can survive anything.

One of my “Likes” is the cast. Henry Cavill, despite being a relative unknown outside of his TV show, The Tudors, did a great job, in my opinion, of interpreting Superman as he saw fit, much like Christian Bale did as Batman. Kevin Costner, Diane Lane and Antje Traue (Zod’s psychopathic right-hand woman) are all excellent while Russell Crowe  and Michael Shannon are complete bad-asses. I liked Amy Adams as Lois Lane as well, I just didn’t feel like she was likable enough.

“It’s not an “S”. It’s a symbol of hope for my people.”

“Well down here, it’s an “S”.”

“Well, fuck, I stand corrected then, you pompous bitch.”

Another gripe I have about the movie is the pacing. Throughout the movie, we are treated to flashbacks of Clark’s past life. I wouldn’t have any problem with this if it wasn’t annoying and completely unnecessary. It just seems out of place, and way to frequent to ignore.

Also, while the wanton destruction was awesome and really fun to watch, even if it got hard to follow (SPOILER ALERT!) right after Zod’s tentacle machine is destroyed (SPOILER END) It can seem overblown and it may also seem that Superman ends more lives then he saves when he and Zod smash through Metropolis. This is a valid point until you realize that a)  He’s still learning how to use his powers effectively in this movie, and b) HOLY CRAP people, do you not realize that this is more or less exactly what would happen if you got two people who are literally Gods on Earth fighting each other?

Somebody. ANYBODY. Please. Make. This. Happen.

Overall:

Despite its excess, poor pacing and clearly borrowed story elements, Man of Steel succeeds thanks to its its cast, soundtrack and action make it an extremely enjoyable viewing experience.

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