Who the F*** Are the Suicide Squad?!?! (Part 3 of 3)

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“Grrrr!!!!”

So it’s finally come to this. The last four members of the Suicide Squad (Or, as it’s officially known, Task Force X), three of whom are probably going to be the main focus of the movie (Because shoving more than three origin stories into one movie might be kinda impossible).

For those of you who missed them, Parts 1 and 2 can be found here and here, respectively. Let’s go ahead and get going with the biggest stereotype on the team…

George Harkness/Captain Boomerang

What the hell is wrong with his hair?

First appearance: Flash #117 (December 1960)

Created by: John Broome, Carmine Infantino

Portrayed by: Jai Courtney (Spartacus: Blood and SandUnbroken, Jack Reacher)

Other portrayals: Donal Gibson (DC Animated Universe), John DiMaggio (Batman: The Brave and the Bold), Nick Tarabay (Arrow), James Patrick Stewart (Justice League: The Flashpoint Paradox), Greg Ellis (Batman: Assault on Arkham)

Trying to find bright spots in Jai Courtney’s filmography is… Well, it’s something.

But-but who can forget his unforgettable turn in I, Frankenstein???

Anyways, George “Digger” Harkness was born in Kurrumburra, Australia, the illegitimate son of an American toymaker and an Australian woman. Harkness’ life in the wilds of small-town Australia was complete and utter shit, as he was growing up poor, and under the thumb of his abusive stepfather. Harkness turned to crime, committing robberies with the help of his trusty boomerang, a traditional Australian weapon that he had grown extremely proficient with, because what the fuck else are you supposed to do when you’re a teenager growing up in the Australian Bush?

Besides die horribly, I mean?

When a robbery goes horribly wrong, his stepfather kicks him out of the house, so his mom sends him to America to start over… And when he gets to the States, he immediately begins a career as a criminal, coming into conflict with the Rogues, a group of supervillains dedicated to taking down the Flash, and eventually the Suicide Squad.

While he is likely the least completely in sane of most iterations of the Squad, he shouldn’t be mistaken for a good person. He has little to no regard for human life (At one point leading his teammate, Mindboggler, to her death, solely because of petty differences), is just about completely amoral, and, if that wasn’t enough, he’s fond of sexual harassment, and is also overtly racist, making him one “That’s not a knife, this is a knife!” away from being the evilest possible version of Crocodile Dundee.

Hopefully, Jai Courtney is a better actor when he’s using his natural Australian dialect. I mean, he’s a Hollywood actor, there must be talent and charisma buried somewhere under the mountainous lack of appeal, right?

I’m being awfully critical for someone who doesn’t have the courage to use his real name online, aren’t I? I dunno, he’s probably a super nice guy.

Floyd Lawton/Deadshot

It could just be that I’m overly critical of Will Smith, but I’m actually surprised that he took a role that requires him to wear a mask for a good portion of screen time.

First appearance: Batman #59 (June 1950)

Created by: David Vern Reed, Lew Sayre Schwartz

Portrayed by: Will Smith (The Fresh Prince of– Oh, fuck this, if you don’t know who Will Smith is, why are you even here?)

Other portrayals: Michael Rosenbaum (DC Animated Universe), Tom Kenny (Batman: The Brave and the Bold), Bradley Stryker (Smallvile), Michael Rowe (Arrow), Jim Meskimen (Batman: Gotham Knight), Neal McDonough (Batman: Assault on Arkham), Chris Cox (Batman: Arkham City, Batman: Arkham Knight)

Unlike the majority of the Squaddies, Floyd Lawton had a fairly privileged upbringing, growing up with insanely wealthy parents and an older brother, Edward, whom he adored. While his parents also adored Edward, they neglected Floyd, treating him poorly, because you can’t have a member of the suicide squad without family issues, apparently. His dad, being a neglectful asshole, was cheating on his mom, so Mrs. Lawton, giving vindictiveness a whole new  ordered her sons to murder their dad. .While Floyd was appalled, and attempted to warn Mr. Lawton, Eddie was, disturbingly enough, all for it, locking Floyd in the bathroom and going off to do the deed.  By the time Floyd broke out of the room and grabbed his rifle, Eddie had already paralyzed his dad from the waist down. In the ensuing fit of rage, Floyd shot Eddie in the face. Psychologically disturbed by this incident (Duh), Floyd trained as a marksman, and became a master assassin, becoming a semi-frequent opponent of Batman’s, and a staple of the Suicide Squad.

While not as batshit insane or downright monstrous as the others, Deadshot is still fairly crazy, having an extremely short fuse, an indifference to the lives of the people he harms, and an intense hatred of Batman solely for being one of the few people to make him miss a shot.

… Yeah, kinda.

He also has an intense death wish, and it is suggested that the sole reason that he is a member of the Squad is because he secretly hopes that he will die as a result of a mission. And who says DC is dark?

Not me! That’s for fucking sure!!!

Lastly, if you’re one of those people who has an issue with Will Smith playing a character that is traditionally Caucasian, you need to seriously consider removing yourself from the gene pool for the good of humanity.

Harleen Quinzel/Harley Quinn

Get it? Her name, I mean? It’s okay, take your time, I’ve got all day.

First appearance: “Joker’s Favour” (Batman: The Animated Series)

Created by: Paul Dini, Bruce Timm

Portrayed by: Margot Robbie (Pan Am, The Wolf of Wall Street, Focus)

Other portrayals: Mia Sara (Birds of Prey), Hynden Walch (The Batman, Justice League: The Flashpoint Paradox, Batman: Assault on Arkham) Meghan Strange (Batman: The Brave and the Bold), Tara Strong (Arrow, Justice League: Gods and Monsters Chronicles, Batman: Arkham City, Batman: Arkham Origins, Batman: Arkham Knight, Injustice: Gods Among Us), Arleen Sorkin (DC Animated Universe, Batman: Arkham Asylum)

The most effective poster girl for Hybristophilia since Bonnie Parker, Harley Quinn is a special case in that she didn’t actually debut in the comics. In fact, she debuted on the fantastic cartoon from the Nineties as Joker’s bubbly sidekick, and skyrocketed to prominence since then, for, uh, reasons.

Harley Quinn Vol 2 9 Textless

Ahem.

Born Harleen Quinzel in the city of Brooklyn (Her accent is as much a part of her character as insanity and a black-and-red colour motif, Harley excelled in her education, getting a job as a psychologist at Arkham Asylum in Gotham City, which is a place where most Batman villains go in between prison breaks. Why anybody would willingly move to Gotham City in the first place is belong me, but whatever.

Fascinated with psychopaths, she was naturally drawn to the biggest psycho of them all, the Joker. Convinced that he had been misdiagnosed by the other shrinks, Harley continually visited him, trying to get inside his brain and learn what makes him tick.

Always a good idea, obviously.

While Dr. Quinzel was smart, she wasn’t as smart as the Joker. Manipulating her with a couple of well-placed sob stories, she eventually felt so sorry for him that she fell hopelessly in love with him.

I mean, who wouldn’t?

Believing that they were meant to be together, Quinzel adopted a jester-like persona and helped bust Joker out of prison. Overjoyed, the Joker took her to Ace Chemicals, the place where he became the Joker, and shoved her into one of the same vats of unnamed chemicals that he fell into. The chemicals have a similar effect on her as well, colouring her hair, bleaching her skin, and driving her completely bananas. Becoming Joker’s sidekick, the reborn Quinzel adopted the moniker of Harley Quinn, and took her place by Joker’s side.

Get it? Like “harlequin”. Genius, I know.

Becoming Joker’s on-and-off girlfriend and sidekick, the newly christened Harley Quinn’s life became a cycle of ultraviolence and abuse, happily plotting and murdering with her “Puddin'” or “Mistah J” one day, while getting mentally abused and smacked around by him the next, even getting shoved out of a building by her homicidal boy toy at one point for trying to kill Batman without him.

Lately though, she’s established a separate identity from Mistah J, leaving him and becoming a little more morally ambiguous than straight-up evil since joining the Suicide Squad, though she’s still prone to the occasional murder spree.

She likes animals, weirdly enough.

Fun fact: Harley Quinn’s big-screen debut was originally supposed to come in the sequel to the infamous Batman & RobinBatman Triumphant. She was going to be the co-villain along with Scarecrow. This version of the character was written as being the daughter of Jack Nicholson’s Joker from Tim Burton’s Batman, who would’ve had cameos in Batman’s flashbacks (As a result of Scarecrow’s neurotoxin). After Batman & Robin ruined the franchise (At least until Batman Begins), Triumphant was cancelled.

That’s not all though: Do you know who was rumoured to be playing such a psychologically complex character?

Motherfucking Madonna.

Ha. No.

Amanda Waller

Oprah was originally in negotiations to play her, supposedly. Take that how you will, I guess.

First appearance: Legends #1 (November 1986)

Created by: John Ostrander, Len Wein, John Byrne

Portrayed by: Viola Davis (Doubt, The Help, How to Get Away With Murder)

Other portrayals: C.C.H. Pounder (DC Animated Universe, Superman/Batman: Public Enemies, Batman: Assault on Arkham, Batman: Arkham Origins), Sheryl Lee Ralph (Young Justice), Pam Grier (Smallville), Cynthia Addai-Robinson (Arrow), Penny Johnson Jerald (Justice League: Gods of Monsters), Angela Bassett (Green Lantern)

If this series of mine has taught you one thing, it’s that, aside from Katana and Rick Flag, the Suicide Squad are awful people. Murderers, psychopaths, even a cannibal that looks like a giant crocodile. And yet, the worst person out of them all may be their leader, a non-superpowered, physically unthreatening civilian named Amanda Waller.

Born in Chicago, Waller married young and had a large family with her husband. All was well until their son, a basketball prodigy, was murdered in a mugging, and their daughter was raped and killed in an alleyway on her way home from church. Her husband set out to find the rapist, and both men were killed in the process. Understandably hardened by this experience , Waller devoted herself to her studies, earning a political science degree and earning a job in politics. Working her way to the highest levels of the US government thanks to her ruthlessness and cruelty, Waller discovered the files of the very first Suicide Squad (The one that Rick Flag’s dad was a part of) and convinced the president to re-open the program. Waller essentially took control of Belle Reve Prison, and spirited away the more dangerous supervillains for use in the program. Fixing them with remote-controlled detonation devices to prevent rebellion, she forced the Squaddies to carry out black ops missions for the US government, assassinations and the sort, and in return, they would earn reduced sentences.

Will this origin be the same in the movie? Almost certainly not, but hey, this isn’t an exact science, this is just meant as kind of a background for the characters.

Speaking of them, there’s still a few actors (Scott Eastwood and Common among them) whose characters haven’t been announced, and at that time, I’ll do another profile for their characters, but until then,uh, (Insert appropriate quote from the trailer).

I know y’all are clamouring for that King Shark profile.

To be continued… Probably…

A Quick Look at the Revealed DC Cinematic Universe: Part 1 of 4

‘The Guardians of the Galaxy can suck it.”

Last week, likely in response to Marvel’s announcement of the plot details to Captain America 3, Warner Bros. decided to go one further by announcing all of the movies planned for the DC Cinematic universe up to the year 2020, along with some casting details and a couple director announcements. So, was this really a hasty, impulsive announcement that doesn’t really bode well for DC’s ongoing rivalry with Marvel’s Cinematic Universe, or is this a genius publicity  move by WB that will get people to forget all about the MCU?

Definitely the former. That doesn’t mean I’m not interested though. So, after getting through the last of my TV reviews until this week’s Legend of Korra episode, I decided to take a quick look at the movie announcements, with each movie accompanied by a short blurb. Let’s do this!

Batman v Superman: Dawn of Justice

I dunno if this is official art or not, but I really like it.

Release date: March 25, 2016

Directed by: Zack Snyder

Produced by: Charles Roven, Deborah Snyder

Screenplay by: Chris Terrio (Argo)

Story by: David S. Goyer

Cast: Henry Cavill (Superman/Clark Kent), Ben Affleck (Batman/Bruce Wayne), Gal Gadot (Wonder Woman/Diana Prince) Amy Adams (Lois Lane) Laurence Fishburne (Perry White) Diane Lane (Martha Kent) Jesse Eisenberg (Lex Luthor) Jeremy Irons (Alfred Pennyworth) Holly Hunter (U.S. Senator) Tao Okamoto (Mercy Graves)

Cameos: Jason Momoa (Arthur Curry/Aquaman) Ray Fisher (Cyborg/Victor Stone)

This is the movie that we currently have the most information on, as it’s currently the only movie that’s in production. Really, there isn’t much more to say about it. I still liked Man of Steel more than most and think that the returning cast from that movie could do a great job, I still have faith that Ben Affleck can pull Batman off (Even more so now that the photos of him in the batsuit have been released), and Jesse Eisenberg is still kinda iffy for me. I guess this is where you pull the Heath Ledger card on me, because “You don’t now if he’s gonna be great until you see him.” That’s true enough, I suppose. I guess we’ll just wait and see.

Also, high fucking time that Wonder Woman appears on the big screen. We had a damn Steel movie with Shaquille O’Neal and no Wonder Woman? Bullshit.

Suicide Squad 

I’m not sure what the fact that I find a psychopath murderess attractive? Well, I find Harley Quinn really hot. There, I said it.

Release date: August 5, 2016

Directed by: David Ayer

Screenplay by: Justin Marks

This…. This announcement really threw me off.

I just don’t get it. There was no solo Batman or Superman movie announced, and yet, a Suicide Squad movie?

The only possible reason that I can imagine why this was green-lit is that Warner Bros. saw Marvel and Disney make all the money because of Guardians of the Galaxy and thought “Hey, we can make a movie starring charming criminals who become reluctant heroes!!! Let’s do that!”

“But edgy!!!”

Regardless, I’m still pretty pumped about the movie, although I’m kinda pissed off that it doesn’t look like Harley Quinn’s gonna be in it as, morbid sexual attraction aside, I think she’s a great character. But hey, Deadshot’s gonna be there, and even if he’s got a bunch of nobodies behind him, they’re in negotiations to bring in an A-list cast of Will Smith, Ryan Gosling, Tom Hardy and Margot Robbie (Who, just saying, would be a great Harley Quinn). Also, David Ayer is a pretty highly regarded director, having helmed movies like Fury and End of Watch. I dunno, it’s bizarre, but it could pay off.

 To be continued…

The Wolf of Wall Street (Oscar Movie Review)

Yeah, we get it, you’re richer than us, you slimy douche.

Now that I’m done writing about baseball for a while, I’m jumping back on the (Long  departed) Oscar review train and reviewing a movie that I saw before the actual ceremony, but that I put off reviewing (Along with Her and Philomena) for some inexplicable reason until now, which is odd, because I happen to have some pretty strong opinions on it. I also have, like six more Oscar reviews coming after this one (Namely the two aforementioned moviesFrozen, The Great Gatsby, Blue Jasmine, and The Great Beauty) and a couple of Razzie reviews.

Actually, now that I think about it, forget the Razzie reviews. Life’s just too short to waste an afternoon devoting myself to an analysis of A Madea Christmas and Temptations of a Marriage Counselor.

Besides, I’ve gotta free up some time to go to a couple of other movies I really wanna review, namely The Grand Budapest Hotel, because it has seriously piqued my interest, and Noah, because ditto and I’m a sucker for religious debate, and, just from looking at the movie’s ratings on Rotten Tomatoes, I can tell that  this is a movie that will be argued about for a long time.

+1000 points for not having Russell Crowe sing.

Anyways, let’s just get to this insane freaking movie, shall we? It’s got Leonardo DiCaprio in it, so it must be great, right?

 The Wolf of Wall Street 

 Directed by: Martin Scorsese

 Produced by: Martin Scorsese, Leonardo DiCaprio, Riza Aziz,  Joey McFarland, Emma Tillinger Koskoff

 Written by: Terence Winter

 Based on: The Wolf of Wall Street by Jordan Belfort

 Genres: Black Comedy, Crime Drama

 Starring: Leonardo DiCaprio, Jonah Hill, Margot Robbie,  Matthew McConaughey, Kyle Chandler, Rob Reiner, Jon Bernthal, Jon Favreau, Jean Dujardin

Oscar nominations: Best Adapted Screenplay (Winter), Best Supporting Actor (Hill), Best Actor (DiCaprio), Best Director (Scorsese), Best Picture

Plot: The film opens to stockbroker Jordan Belfort (DiCaprio) showing his exploits off to the audience, namely his opulent salary, highly entertaining workplace, unreal home on the Gold Coast of Long Island, and his beautiful ex-supermodel trophy wife, the beautiful Naomi Lapaglia (Robbie). Oh, and his ability to consume insane amounts of prescription and not-so-much-prescription drugs. How did he get to where he is in life? Well, let him tell you through narcissistic narration!

The setting flashes back to 1987, when Jordan is just busting into Wall Street as a  low-level commissioned stockbroker (Or whatever) at L.F. Rothschild. While working there, his boss (McConaughey) suggests that he adopt a lifestyle based around cocaine, casual sex and masturbation in order to relieve tension and stay on top of his job. This works out well for him and the firm until Black Monday (A global crash of the stock market), after which the firm closes down and Jordan finds himself out of a job.

Jordan ends up taking a job with a Long Island boiler room, where he takes advantage of the lax regulations of penny stocks and earns his fortune. Eventually though, he quits this and starts Stratton Oakmont with his buddy, Donnie Azoff (Hill), a burnout with similar tastes in drugs, and starts aggressively scamming people out of millions of dollars, which ends up attracting the attention of FBI agent Patrick Denham (Chandler).

When outlined neatly, as I like to think I just did, the plot is pretty airtight. Sure, it can be a little bit hard to follow, especially when he explains all the fiscal jargon that goes into stockbroking and running a scam, but as far as I know, there aren’t any holes in the plot. Martin Scorsese directs the movie excellently, like he do, although the editing was kind of haphazard.

Honestly though, the movie is three hours long, and it only really heeded to be two and a half hours long. You could skip, let’s say, from the 30-minute mark until, say, the 90-minute mark, and you will have missed nothing except a lot of sex scenes and other scenes of debauchery that didn’t need to be there.

Now that I’ve mentioned it, I guess I should mention my biggest problem (And, I suppose, one the biggest controversial aspects of the film) with this movie, which are the gratuitous sex and drug use depicted in the first half of the movie. Now, if any of you are thinking of calling me a sheltered, conservative prude, I’d like you to take a moment to remember that I’m a 17-year old straight kid. Do you honestly think I’d have a negative reaction to a nude female body without a good reason? Especially when that nude female body belongs to Margot Robbie? Get real.

No, it’s not that these scenes are evil, or immoral, or whatever. It’s just that we’re given so many of these scenes in such a short period of time (An hour is a shirt period of time in a Scorsese flick) that it just ends up losing any shock value that it might have previously possessed, to the point where I realized that I had just been watching an extremely explicit orgy in an airplane that involved several gorgeous women  and Leonardo DiCaprio (Because come on, nobody’s that straight) and felt absolutely nothing emotionally or otherwise. That really sucks, because a) I like seeing hot women in various states of undress (I just realized that this post is starting to make me sound like a huge pervert. Thank God for internet anonymity!) and b) There are so many ways that these scenes could have been used constructively but weren’t.

SPOILER BEGIN

One example in this movie of a well-placed sex scene is the one near the end of the film where Jordan is banging his wife for the last time before she leaves him. This is a great scene because it exposes Jordan Belfort as the pathetic human being that he has become, begging his wife for sex and whimpering, if I remember correctly (Screw double-checking!). I fail to see how a scene detailing how Jordan and Donnie “double-teamed” some woman in an office is supposed to convey as much importance, though.

SPOILER END

With that said, I feel like I should mention that, in all fairness, the movie cuts down on most of the filler after the halfway point, and became miles more engaging. It doesn’t elevate it to legendary heights or anything, but it’s still excellent. It’s just a damn shame that the second quarter of the movie, or so, is so fricking weak.

And as for the complaints about this film being “amoral”, I have these two points to mention to anybody using this weak excuse to discredit a movie.

  1. What exactly did you expect from the guy who directed Taxi Driver and Goodfellas?
  2. Get off your fucking soapbox.

And with that, Kenny Rollins was awarded the “Resisted swearing at his audience for 1000+ words” award.

Yeah, this movie is amoral. So was Pulp Fiction, and it’s a universally loved movie. If you wanna criticize this movie, try focusing on its’ legitimate flaws and try not to base your argument on a completely subjective feeling like morality.

Acting/Writing: As you will soon be able to tell from the briefness of this section and the interminable nature of the last one, I don’t have nearly as much to say  about the actors. They do a great job with what they have (Which is also great). What else do I need to say?

The two Oscar nominees shine, obviously, with DiCaprio giving a great (If not too close to being his greatest) performance, even channeling a little bit of his role in What’s Eating Gilbert Grape at one point, and Jonah Hill further distancing himself from his links to Judd Apatow and turning in a wonderful darkly comic performance. Australian actress Margot Robbie is fantastic too, and kudos to her for managing to hold her own on the screen with Leonardo DiCaprio while being somewhat of a newcomer. Also, she’s the hottest human being on the goddamn planet.

What nominations did it deserve?: 

  • Best Adapted Screenplay (Winter): Yeah, I can see it being nominated.
  • Best Supporting Actor (Hill): Yup.
  • Best Actor (DiCaprio): He deserved the nomination, even if he didn’t deserve to beat his co-star, MConaughey.
  • Best Director (Scorsese): It’s no Aviator, but sure.
  • Best Picture: Actually, no. I think it’s flaws are too numerous to ignore, and I think that it’s kinda sad that it was nominated over, say, The Hunger Games: Catching Fire.

Final Rating:

7.5/10