Oscar Movie Review: Nebraska

Q: What’s the only thing more boring than Nebraska?

A: Nebraska in black and white.

Nebraska

 Directed by: Alexander Payne

 Produced by: Albert Berger, Ron Yerxa

 Written by: Bob Nelson

 Genre: Dramedy, Dark Comedy

 Starring: Bruce Dern, Will Forte, June Squibb, Bob Odenkirk, Stacy Keach

Oscar Nominations: Best Cinematography, Best Original Screenplay, Best Supporting Actress (Squibb), Best Actor (Dern), Best Director (Payne), Best Picture

Plot: Elderly Billings, Montana resident Woody Grant (Bruce Dern) lives his monotonous life with his wife, Kate (June Squibb) and his grown sons, stereo salesman David (Will Forte) and successful anchorman Ross (Breaking Bad‘s Bob Odenkirk). One day, Woody wins a $1 million sweepstakes he has won, which everyone around him tries, to no avail, to discourage him from going to Lincoln, Nebraska (THAT’S THE NAME OF THE MOVIE!!!) to collect on, because it’s obviously a scam.

This proves to be pointless, and after Woody is caught by his kids or the police trying to walk to Lincoln by himself, David decides to just humour him and drive him to frickin’ Nebraska. However, before going to the Star City, he stops in the little hick town where Woody and Kate grew up, the growing metropolis of Hawthorne, Nebraska.

If the last name of your town sounds like somebody’s last name, most of the time, we’re not looking at the new Vegas.

In Hawthorne, Woody and David meet up with their family, who have all more or less retained their small town lifestyles, which apparently consist mainly of being old and staring blankly.  They meet up with old friends and family, and, as is to be expected when you announce that you’re a new millionaire, some bloodsucking gold-diggers. With that, the wacky, senior citizen hijinks begin.

The story is about as original as (sort-of) road-trip comedies get, replacing the horny, beer-consuming teens with senile senior citizens, and actually being pretty deep, with many themes swirling around, such as forgiveness, death and parenthood. There’s a lot of emotions on display as well throughout the whole film, mainly sadness and feelings of loss, but with an underlying sweetness that really sold the movie for me (Along with June Squibb).

Did they have to make the movie so unabashedly boring though?

The title of the movie didn’t exactly suggest a gripping roller-coaster ride, but this movie has the tendency to be extremely slow. Sometimes, it worked with the humour and was tolerable. Other times, it was just mind-numbing. And as for the major stylistic choice to make the movie black and white, well, I kind of hated it. I understand that it was done to accentuate the mundane, somewhat depressing setting of Hawthorne, Nebraska, but I just found it pointless, and annoying to look at. Did they really have to try that hard to convince us that Nebraska is boring to look at?

Go Huskers!

Acting: Where Nebraska does excel, however, is the acting and the interactions between characters, especially the lead trifecta of Bruce Dern, Will Forte and June Squibb. I was not aware of any of their existences before this movie, and I’m kicking myself for it now. Dern is fantastic as the crotchety old  boozehound that is Woody Grant, portraying not only a stubborn old man, but also a somewhat sad figure. Will Forte is pretty good as well as David, but June Squibb steals the show as Kate Grant, Woody’s mouthy wife. if a lesser actress had been cast in this role, this movie would probably have tumbled down to a six or so in my rankings, but Squibb (Awesome last name, by the way) brings a ton of energy to this part, and can be downright hilarious at times. It’s a shame that she had to go up against Lupita Nyong’o this year. Most other years would’ve been pretty good bets for June Squibb taking home the big prize.

The other actors do pretty damn fine jobs as well. Bonus points for having a Breaking Bad cast member in the mix.

Pretty much any movie is helped with the addition of Saul Goodman.

What nominations did it deserve?:

  • Best Cinematography: For all my ragging on Nebraska, it’s actually a very pretty state. Too bad it’s in black and white in this particular movie. Ugh. No to this nomination.
  • Best Original Screenplay: I’d put it in the same boat as Gravity: It’s a good screenplay that moved the story along, but it probably shouldn’t have been nominated, although it was quite funny.
  • Best Supporting Actress (Squibb): Hell yeah. June Squibb was epic in this movie. Too bad her competition was so tough though. Yes to the nomination, no to the win.
  • Best Actor (Dern): It’s hard to argue with this one. Yes to the nomination, no to the win.
  • Best Director (Alexander Payne): Nope. With all due respect to Alexander Payne (The Descendants is a fantastic movie, by the way) Paul Greengrass (Captain Phillips) and especially Jean-Marc Vallee (Dallas Buyers Club) were more deserving.
  • Best Picture: It’s not a bad movie by any means, with good writing and great performances all around, but its’ slow pace and poor choice of colouring made this movie somewhat of an also-ran compared to the other movies on the ballot. A tentative yes to the nomination, and a hard definitely not on the win.

Overall Opinion: 7.5/10

My Oscar Picks

Well, it’s not like I can do so much freaking Oscar reviews without doing a quick prediction. These predictions will have the same format as my Razzie predictions, with my top three picks for every category, except the ones which I haven’t checked out because they didn’t have any Best Picture Nominees (Categories with an “*” are categories in which I’ve seen less than three of the nominated movies). Also, if any movie that I did not watch wins their respective category, that movie will be added to my seemingly never-ending queue of reviews.

Honestly? I just look at the trophy and see a golden novelty dildo.

Best Visual Effects:

  1. Gravity
  2. The Hobbit: The Desolation of Smaug
  3. Star Trek Into Darkness

This one is pretty much a no-brainer. While Benedict Cumber-Dragon was amazing and J.J. Abrams lens-flared Star Trek into beautiful oblivion (I’m hoping that nonsense I just pulled out of my ass makes sense to somebody), Gravity had some of, if not the most  the most, beautiful visuals I’ve ever seen in my seventeen years of watching movies.

Best Film Editing:

  1. Gravity
  2. 12 Years a Slave
  3. American Hustle

I’m still not entirely sure how one critiques editing, so admittedly, this category is kind of a crapshoot for me.

Best Costume Design* 

  1. 12 Years a Slave
  2. American Hustle

American Hustle could beat out 12 Years, because it did have a pretty fantastic costume design team, or whatever (And Amy Adams’ necklines sure help), but I think that the latter’s  costumes were just a little bit better.

Best Makeup and Hairstyling*

  1. Dallas Buyers Club

I’m shocked that American Hustle wasn’t nominated for this category, but honestly Dallas Buyers Club should win this award, based solely on the work they did with Jared Leto.

Best Cinematography*

  1. Gravity
  2. Nebraska

I’m kinda surprised that Nebraska was nominated for this category, because I really didn’t like the choice of black-and-white colouring, but whatevs. Gravity should and will win, anyways.

Best Production Design

  1. 12 Years a Slave
  2. Gravity
  3. American Hustle

Assuming that “Production Design” means “film sets and such”, I’d give it to 12 Years, mainly for the stunning contrast between the natural beauty of Louisiana and the brutality of the subject matter.

Best Sound Mixing/Editing

  1. Gravity
  2. Captain Phillips
  3. The Hobbit: The Desolation of Smaug 

Yes, I know I mixed the categories of Best Sound Mixing and Best Sound Editing, but a) It’s pretty much the same movies, and b) I don’t know what the fuck the difference between sound editing and sound mixing is supposed to be.

That said, Gravity‘s soundtrack was downright gorgeous.

Best Original Song (I Haven’t seen most of these movies, but the songs are on YouTube, so all’s good.)

  1. “Let it Go” from Frozen
  2. “Ordinary Love” from Mandela: Long Walk to Freedom
  3. “The Moon Song” from Her 

Let’s face it, Disney songs are pretty much the bomb. Keep in mind that this is coming from somebody who thinks that any song off London Calling is the pinnacle of Western Civilization.

Best Original Score

  1. Gravity
  2. Her
  3. Philomena

Like I said, Gravity‘s score is fantastic. I liked Hers’ soundtrack too, but Philomena‘s just seemed nondescript to me.

Best Animated Short Film, Best Live Action Short Film, Best Documentary-Short Subject, Best Documentary-Feature, Best Documentary Film, Best Foreign Language Film, Best Animated Feature Film

I  haven’t seem any of the movies nominated for these, because a) Honestly, these are the least interesting categories to me and b) While I actually love animated movies, there’s no way I’m going to a theater filled with screaming eight-year olds to watch Frozen.

Best Writing-Adapted Screenplay

  1. 12 Years A Slave
  2. The Wolf of Wall Street
  3. Captain Phillips 

I didn’t find any of these scripts to be legendary, per se, but they were still pretty damn great. It could really go any way.

Best Writing-Original Screenplay

  1. American Hustle
  2. Dallas Buyers Club
  3. Her

I wonder if I could somehow develop David O. Russell’s amazing dialogue-writing ability without also developing his crippling douchiness…

Best Supporting Actress

  1. Lupita Nyong’o, 12 Years a Slave
  2. Jennifer Lawrence, American Hustle
  3. June Squibb, Nebraska

Holy shit, I son’t think you could have picked three cuter nominees for this category.

Pictured: The Axis of Adorable.

Jennifer Lawrence is my favourite actress, and June Squibb was awesome too, but there’s just no way they match up to Mexican-born Kenyan Actress Lupita Nyongo’s film debut.

Best Supporting Actor

  1. Jared Leto, Dallas Buyers Club
  2. Michael Fassbender, 12 Years a Slave
  3. Barkhad Abdi, Captain Phillips

Fassbender played Edwin “Evil Incarnate” Epps to perfection, and Somali actor Barkhad Abdi was awesoome in his debut, but they just had bad luck this time, going up against Jared Leto as the tragic Rayon.

Best Actress

  1. Sandra Bullock, Gravity
  2. Amy Adams, American Hustle
  3. Judi Dench, Philomena

I think that Cate Blanchett is gonna win, considering the love she got at the Golden Globes, but I loved Sandra Bullock.

Best Actor

  1. Matthew McConaughey, Dallas Buyers Club
  2. Chiwetel Ejiofor, 12 Years a Slave
  3. Leonardo DiCaprio, The Wolf of Wall Street

Man, does Leo ever have bad luck getting easy opponents on Oscar ballots, huh?

I had to pretty much flip a coin to decide who I thought was better between McConaughey and Ejiofor. All I can say is that I hope I don’t have to type either of their names again until next Oscar season, at least.

Best Director

  1. Alfonso Cuaron, Gravity
  2. Steve McQueen, 12 Years a Slave
  3. Martin Scorsese, The Wolf of Wall Street

I’m not that big of a director guy, but you don’t have to be one to know that Cuaron did a fantastic job with Gravity.

Best Picture

  1. 12 Years a Slave
  2. Dallas Buyers Club
  3. Gravity

Just read my review of 12 Years a Slaveit’ll tell you all you need to know.