The Martian (Movie Review)

“Sailors, fighting in the dance hall. Oh man, look at those cavemen go…”

It’s kind of an atrocity that “Life on Mars” wasn’t played once during the movie. “Starman” was though, so I suppose that’s something.

The Martian

Directed by: Ridley Scott

Produced by: Simon Kinberg, Ridley Scott, Michael Schaefer, Aditya Sood, Mark Huffam

Screenplay by: Drew Goddard

Based on: The Martian by Andy Weir

Genres: Science fiction, drama

Starring: Matt Damon, Chiwetel Ejiofor, Jessica Chastain, Kristen Wiig, Jeff Daniels, Michael Pena, Kate Mara, Sebastian Stan, Aksel Hennie

Plot: In the (Hopefully not-so) distant future, NASA has put people on Mars.

And crackpot conspiracy nuts are undoubtedly denying it up and down.

So, who are the lucky bastards who get to leave everybody and everything that they know and love on a whole different planet a hundred trillion miles away (Or whatever the hell the exact measurements are)? Well, specifically, they’re scientists tasked with learning as much as possible about Marvin’s home turf.

Unfortunately, Marvin’s scenes had to be cut from the movie due to lack of cohesiveness. Look for them on the director’s cut!

One of these expeditions, Ares III, is forced to abort their mission because of a storm, and unfortunately, one of the crew members, Mark Watney (Matt Damon) is killed by debris during the evacuation….

… Or is he?…

…

… I mean, obviously, he survives, because otherwise, we wouldn’t have a premise for the movie. I mean, we could have one focusing on the guilt the other crew members feel about leaving him dead on- ah, fuck that, I’m getting off track.

Watney survives, and eventually makes contact with NASA, but since it takes a shit-tonne of time to get from Earth to Mars, Mark can’t count on help arriving anytime soon, and must find a way to survive on the Red Planet as the good folks at NASA work to bring him home.

Truth be told, I’ve never been a huge fan of Ridley Scott’s. Yeah, I know that Blade Runner, Alien and Thelma & Louise are all great, and Gladiator is one of my favourite movies, but if you look at his filmography as a whole. there’s a lot of crappy stuff in there. His last couple of movies especially haven’t been kind to his reputation.

OH, GOD, LOOK OUT!!!!

In fact, Ridley Scott was the one aspect of The Martian that was making me consider going to see Sicario instead. The near-universal acclaim that The Martian is getting swayed me back into its’ corner, though.

Good thing it did too, because The Martian is absolutely one of my favourite movies of 2015 so far.

This movie will make you want to quadruple NASA’s budget.

One can’t exactly make a movie where 50% of the action takes place in space, have it look like shit, and still come out of it with arms raised in a victory pose. Thankfully, like the the other major space movies of recent years (Gravity and Interstellar), this movie promises to show us outer space (Specifically Mars, obviously) and it delivers in spades. It maybe doesn’t reach the level of the other two movies in terms of pure CGI goodness, but the visual effects are still top-notch, and the beautiful cinematography and steady direction don’t hurt either. What it piles on top of the effects and cinematography though, is what really makes the movie for me. Specifically, the awesome, involving story from Drew Goddard (And I suppose Andy Reid’s novel, which I haven’t read, also deserves praise), of Cabin in the Woods fame. The dialogue and banter is surprisingly buoyant humorous, something one wouldn’t expect from subject matter like this.

Obviously, the movie makes a point to show the isolation and loneliness that Watney is feeling throughout, because holy shit, how could it not, but it also makes a point to have a sense of humour about itself, and not make the audience wallow in a sense of despair. Aside from the surprisingly good, solid, mood-lightening humour, the main character’s infectious optimism is such a welcome touch. It would have been so easy to have Watney sulk around in a haze of self-pity throughout the runtime, only having breakthroughs when it conveniences the plot. What he actually does is a million times more entertaining to watch, and what he does is attack every problem with such an unrelenting sense of positivity that makes you root for the guy to get home that much more. If life handed him lemons, he would not only make lemonade, he could probably somehow make Fireball.

No, university’s treating me fine. Why do you ask?

Of course, also to be thanked for Watney’s incredible likability is Matt Damon’s performance, which is great. , because he’s Matt Fucking Damon, and he’s great. However, lost in the fact that Damon is the one with his face plastered on all the publicity is the fact that the cast assembled for The Martian is one to be reckoned with. Jessica Chastain doesn’t have as much to do as she did in Interstellar, but she’s still great at what she does, and she shows it here. Chiwetel Ejiofor, Jeff Daniels, Kristen Wiig and Sean Bean are all A+ as the dedicated, underfunded (AHEM) folks at NASA, and Kate Mara, Sebastian Stan, Aksel Hennie and Michael Pena all have excellent chemistry with each other and Matt Damon as the crew members of ARES III. Somebody I was really surprised and happy to see appears in the middle of the movie, but I won’t say who it is to preserve the surprise.

It’s kind of like Matt Damon in Interstellar. Except, y’know, good.

The Martian is one of those movies  where it really takes a lot of effort to find any flaws whatsoever, but if I had to nitpick, I would have to say that, as welcome as Watney’s optimism is, it can skew a bit on the unrealistic side at times. That said, the movie does make a point to frequently show his discouragement with the situation, so I guess that argument’s pretty much moot.

I dunno, would anybody have a problem with me labelling it as the closest possible thing to a perfect movie? Because that’s pretty much all there is to it.

Overall: Excellent visuals, terrific performances and a cheerful sense of humour and positivity make The Martian one of the best movies of the year.

Rating: 9.5/10

Now, who else can’t wait for Prometheus 2!?!?

Daredevil (Season 1 Review)

This ain’t your, uh, slightly older brother’s Daredevil. Or something. 

In March 2014, I went with some friends of mine to take in what would eventually become one of my favourite movies of the year, Captain America: The Winter Soldier. Like the rest of the world, I loved it, but I was kind of surprised by just how dark that movie was. Fools were getting assassinated, people’s necks were getting broken, others were getting shot in the face, and a post-9/11 allegory was violently drilling its way into the audience’s skull.

SYMBOLISM!!!! SYMBOLISM!!!! LOOK AT THE GODDAMN SYMBOLISM!!!!

 Being a bloodthirsty sociopath, I was a fan, but some of the parents who brought younger kids expecting a bright, colourful Avengers-style movie probably weren’t as enthusiastic about the grittiness as I was. Hell, I heard some kids break out in tears. In a movie where the protagonist wears an American flag, no less. After that experience, I was pretty sure the Marvel Cinematic Universe would get much darker.

Boy was I completely and utterly wrong.

Daredevil

Created by: Drew Goddard

Directed by: Phil Abraham, Adam Kane, Ken Girotti, Farren Blackburn, Guy Ferland, Brad Turner, Stephen Surjik, Nelson McCormick, Nick Gomez, Euros Lyn, Steven S. DeKnight

Producer: Kati Johnson

Written by: Drew Goddard, Marco Ramirez, Joe Pokaski, Luke Kalteux, Douglas Petrie, Steven S. DeKnight, Christos Gage, Ruth Fletcher Gage

Based on: Daredevil by Stan Lee and Bill Everett

Genres: Superhero, crime drama

Starring: Charlie Cox, Vincent D’Onofrio, Deborah Ann Woll, Elden Henson, Toby Leonard Moore, Vondie Curtis-Hall, Bob Gunton, Ayelet Zurer, Rosario Dawson, Scott Glenn

Music by: John Paesano

Plot: After the events of The Avengers, much of the real estate in the unfortunately named Hell’s Kitchen district of New York City was crushed by alien invaders (Which nobody seems to be dwelling on. Weird.). Already a fairly decrepit, crime-ridden neighbourhood, Hell’s Kitchen is now even more of a crap hole.

Have no fear though, because Matthew Murdock & Foggy Nelson, attorneys at law, are on the scene! Well, actually, maybe have a little bit of fear, because they’re pretty small-time, having turned down a well-paying corporate job since, y’know, they have souls.

Barry Zuckerkorn is more high profile than them. 

Interestingly enough, Matt (Charlie Cox), along with being a kick-ass lawyer, is also completely blind… Mostly.

Bullshit comic book science coming up!!!

See, when Matt was but a wee boy, he was walking down the streets of Hell’s Kitchen when he saw a man about to get creamed by a truck. Being the upstanding citizen that he is, little Matt pushed the old man out of harm’s way, taking the hit for hi. While Matt survived, the truck’s cargo, some kind of chemical something-or-other got into his eyes, blinding him.

And then the chemical shit leaked into the sewers, and that’s how the Ninja Turtles were born. The end.

However, when he lost his sight, his other senses were enhanced to superhuman levels to make up for his lack of sight.

Bullshit, I know. But it’s cool, so whatever.

Matt doesn’t sit idly by with his, uh, we’ll call it a gift, I suppose. A lawyer by day, he dons a kickass all-black outfit at night and goes out to beat the shit out of those who would prey on the innocent as a vigilante known as… Nothing.

Y’know, because that would be silly.

Matt is only human though, and he struggles to reconcile his secret life with his job and his relationship with his friends, Foggy Nelson (Elden Henson) and Karen Page (Deborah Ann Woll). It doesn’t exactly help matters that a new criminal element has taken over every nook and cranny of Hell’s Kitchen, uniting the Bratva, Triads, Yakuza, and the shithead warden from The Shawshank Redemption into a dangerous cabal, led by the enigmatic Wilson Fisk (Vincent D’Onofrio).

It helps matters even less when you consider that Fisk is goddamn terrifying.

Daredevil is a well-respected Marvel property, but he hasn’t ever been done justice in movies or TV. While a fairly major character in the comics, he’s hardly an A-lister, though he was an Avenger for like, 3 seconds. He finally got a movie in 2003, but, long story short, that movie’s the reason why some people were so pissy about Ben Affleck being cast as Batman, even though they had no real call to be that way.

While that movie had a dark, brooding atmosphere in the vein of the comics, it was pretty inconsistent (See: Murdock fighting Elektra in the middle of a fucking playground. During DAYTIME). This show, on the other hand, feels completely justified in it’s dark environments and bleakness. You FEEL the specter of doom and gloom looming over this version of Hell’s Kitchen rearing it’s ugly head, ready to swallow every and anybody in its way. It actually feels a lot like Batman Begin‘s Gotham City, which makes sense considering the two protagonists are so similar.

In every respect except wallet size.

Speaking of the protagonist, Charlie Cox plays Daredevil very, very well, and the character of Matt Murdock is handled ably by Cox and the writers (Who, I should mention, also provide the best justification for a no-kill policy that I’ve ever heard. From a religious perspective too. I didn’t expect that.). While the movie Daredevil just came off as a smarmy jackass (Insert outdated Ben Affleck joke here), Cox comes off as a little more grounded and disturbed. Sure, he’s witty and intelligent (Par for the course for Marvel heroes, admittedly), but he also has a dark side that refuses to go away even though he fights on the side of the angels. He frequently contemplates murder, he’s an extremely brutal, even possibly sadistic, fighter, he’s emotionally unavailable to his friends and he’s kind of a masochist.

This has nothing to do with anything, but this costume is pretty damn awesome.

The supporting characters are well-written and performed, if probably too much of a focus at some points of the season. Foggy starts off kind of grating, but he gets to be a necessity, nicely contrasting the show’s relentless cruelty with his offbeat sense of humour. Karen Page, while not terribly interesting, is a fine character as well. The only supporting hero that I feel was wasted is Ben Urich (Vondie Curtis-Hall), who, although portrayed super well, doesn’t appear all that much, and the scenes where he teams up with Karen are kind of the weak point of the season. Not that they’re bad, they’re just the scenes that made me miss Daredevil smashing the shit out of the Russian mob.

The other villains are fine as well, but the standout is Wilson Fisk’s faithful attendant, Wesley (Toby Leonard Moore), who is already the frontrunner for “Most punchable character of 2015”.

No Bullseye, though. Thank god for season 2, I guess.

“But Kenny, nobody gives a shit about these people! What about Kingpin!? WHAT ABOUT KINGPIN?!?!?!”

Alright, let’s talk about Wilson Fisk.

As enjoyable as the MCU continues to be, its villains have been surprisingly weak. Aside from Loki, Red Skull, Winter Soldier and almost certainly Ultron, we’ve mostly been stuck with mediocrity like Whiplash, Malekith and Ronan. Unlike these guys though, Fisk is more grounded a bad guy than the other schmucks, being neither an alien nor a superhero. Just a socially awkward behemoth with a god complex.

I fucking love him. You can keep Loki, this is the best MCU villain to date.

Don’t ever change, you beautiful boy.

In the comics (As well as the 90’s Spider-Man cartoon that was/is my life) Kingpin was a very tall, corpulent man who was highly intelligent, manipulative and collected. However, the backstory and portrayal of Fisk in Daredevil paint a much more deep, disturbing picture of a truly fucked-up, shy child trapped inside the imposing body of a very threatening man. Yes, he’s intelligent, manipulative and collected, but he’s liable to let his unstable emotions get the better of him, and he won’t think twice about beating you to death if you step out of line. D’Onofrio plays him perfectly (Albeit oddly) and I can’t take my eyes off the screen whenever he’s doing his thing.

It also bears mentioning that Ayelet Zurer is terrific as Wilson Fisk’s love interest, Vanessa. Yeah, you heard me right, a fully developed romantic story arc for the villain (And not the hero!), you don’t see that very often, do you?

As you might expect (Because I straight-up told you), Daredevil is much darker than the other MCU stuff, which makes sense, considering the source material is very dark (In fact, grit-meister Frank Miller wrote the comic for a while, and also wrote some great, dark Batman stories as well as some cartoonishly bad dark Batman stories).

Send your angry fanboy rant to pleasekillthemessenger@gmail.com.

In terms of dark visuals, this show can’t be beat. It’s fucking beautiful. Not since Tim Burton’s Batman movies has there been a stylistically dark superhero story this, I dunno, appealingly flashy, if that makes any sense whatsoever. I dunno, just watch the damn show, you’ll see what I mean.

If you’re a fan of good action (Aren’t we all?), this show’s for you, being both well-shot and really, REALLY brutal, with folks getting heads crushed, impaled and/or otherwise maimed throughout the duration. This is the first MCU property to really say “screw the kids.” It’s beautiful, really.

The only real problem that I have with the show is that it can get kind of slow at times throughout the middle of the season, leading me to believe that it would’ve worked better with a couple less episodes. A minor complaint, but my only one.

Overall: Dark, ultraviolent, stylish and well-acted, Daredevil ranks among the better projects from the Marvel Cinematic Universe. That’s not exactly faint praise.

Rating: 9/10

Seriously though, if Bullseye isn’t in the next season, we riot.