Kick-Ass 2 (Movie Review)

Oh yeah, he’s hating every minute of this.

Holy crap, could it be I’m actually posting multiple articles in the same week?! Man, proactivity is such an alien feeling to me! Or, y’know, it would be if I hadn’t written this in April and just now realized I had forgotten to post it. Actually, wouldn’t that still be proactivity? Because I was planning ahead for the future or-ah, screw it.

(Spoiler Alert: Spoilers for Kick-Ass are included in this review, so if you haven’t watched that movie yet, and you plan to (Which you should) do it now. Like right now. I’ll wait. Otherwise, go right on ahead.) 

  Kick-Ass 2

Directed by: Jeff Wadlow

Produced by: Adam Bohling, Tarquin Peck, Matthew Vaughn, Brad Pitt, David Reid

Screenplay by: Jeff Wadlow

Based on: Kick-Ass 2 and Hit-Girl by Mark Millar and John Romita, Jr.

Sequel to: Kick-Ass (2010)

Genres: Superhero, Dark comedy, Action

Starring: Aaron Taylor-Johnson, Chloë Grace Moretz, Christopher Mintz-Plasse, Jim Carrey,   Morris Chestnut, John Leguizamo, Donald Faison, Lindy Booth, Clark Duke

Music by: Henry Jackman, Matthew Margeson

 

Plot: Now that New York City is patrolled by real-life superheroes, inspired by the world’s first real-life superhero, Kick-Ass (Aaron Taylor-Johnson), the Wet-suit Crusader himself decides to retire from crime-fighting, trying to return to his regular life as high-school senior Dave Lizewski. However, he didn’t count on high school life being boring as shit in comparison to taking down mob bosses. Un-retiring, he recruits the help of Mindy Macready  (Chloë Grace Moretz) to help him get properly trained (As, let’s face it, he’s a really crappy fighter). Mindy is doing some adjustments of her own after the death of her father, the costumed vigilante, Big Daddy, and her subsequent adoption by his dad’s old cop buddy, Marcus (Morris Chestnut). When Marcus discovers that Mindy has continued to fight crime as Hit-Girl, he makes her promise to give it up, leaving Kick-Ass tutor-less. Desperate for some fellow superhero company, Dave hooks up with a superhero team called “Justice Forever”, led by an ex-Mafia, born-again Christian bad-ass named Sal Bertolinni, who goes by the uber patriotic moniker of Colonel Stars & Stripes.

Meanwhile, on Long Island, Chris D’Amico (Christopher Mintz-Plasse) has kind of lost his damn mind after the death of his father at Kick-Ass’s hands. After the accidental death of his mother, Chris decides to adopt another costumed persona in order to take revenge on Kick-Ass and Hit-Girl. Forfeiting his superhero identity of Red Mist, Chris dresses up in his deceased mother’s bondage gear and renames himself “The Motherfucker.”

Seriously.

I sincerely believe that the first Kick-Ass is one of the top 10 superhero movies of all time, and I’m not exactly one who skips out on watching superhero movies. It might not have been as mind-blowingly original as some people claim it to be, but it’s still one of my five favourite movies of all time. It kind of hit the perfect balance between lighthearted, foul-mouthed humour and gleeful bloodletting. It almost got to the point where there were some minor tonal issues, but hey, it managed to pull off the contrast without looking like a total mess.

Unfortunately, that’s this movie’s biggest failing: Tone. The first movie had its serious moments, sure, but for the most part, it took so much joy in what it was doing, at once satirizing and paying respects to the superhero genre. This movie seems a little lost. It keeps more or less the same type of goofy, vulgar humour, and that’s okay, because who gives a shit about swear words? No, it’s when the movie tries to be dark and gritty that it falls its face. I mean, the first movie wasn’t exactly a Disney movie…

Okay, maybe that was a crappy comparison, but still…

… But it never took violence seriously, it was all very cartoonish and again that’s okay. It worked in the context of the film. This movie takes it to a whole new level of carnage though. The blood flows freely, like before, but in addition to that, people’s necks are getting broken on-screen, people are getting hung, and there’s an attempted rape at one point (Easily the worst scene in the movie). It can feel really jarring and takes me right out of the movie. It’s just another example of people watching The Dark Knight or The Empire Strikes Back and mindlessly assuming that “darker” necessarily means better. This is how you get movies like Revenge of the Sith or, indeed, Kick-Ass 2, although the latter movie is still infinitely superior to the hunk of shit that was Revenge of the Sith.

My only other serious problem with the movie is that, aside from Hit-Girl, there really is an unsettling lack of good female characters. Maybe I’m looking too much into, but it seems to me that, again, aside from Mindy Macready, all the women are either being sexually objectified (Cough, Night Bitch, cough) or are total bitches (Katie, Chris’s mom, Mindy’s classmates). And while we’re on the topic of female character, what exactly was the point of the character of Night Bitch? She is a completely pointless character and her replacing Katie (Who incidentally, was a much better character in the first movie) as the primary love interest boggles my mind.

To the movie’s credit, it does a lot of things right. Replacing Matthew Vaughn as director is screenwriter Jeff Wadlow, and he does a serviceable (Albeit inferior to Vaughn) job of moving the action along, even if he makes all-too frequent use of goddamn shaky-cam. The dialogue, while not as clever, funny or well-written in general as the first Matthew Vaughn/Jane Goldman script, still does the job and contributes laugh (And frequent profanity).

Christopher Mintz-Plasse bored me, quite frankly, as the Motherfucker. It just seemed too over-the-top for somebody whose edgiest role before this movie was McLovin’. He wasn’t bad, I suppose, but I just didn’t buy it as much as I bought his more meek, cowardly character in the previous movie. As for Jim Carrey, he doesn’t have anything to be ashamed of in this movie, despite his cutting all ties with it due to excessive violence. He was clearly having tons of fun as Colonel Stars & Stripes and got to deliver some of the more bad-ass lines in the entire movie. Aaron Taylor-Johnson, while not quite as charming as he was in the first film, is still the only possible person who could play Kick-Ass, and is suitably dorky as Dave Lizewski.

Let’s be real though. The real star of the show isn’t Taylor-Johnson or Carrey, but child actress Chloë Grace Moretz as the savage Hit-Girl. Even if there were some choices taken with her character that I felt weakened her character (Cough, love interest, cough), Moretz is just the biggest bad-ass as Hit-Girl. I never thought I would ever declare a child actor to be irreplaceable in a role, but hey, there’s a first time for everything. This girl is gonna be huge.

Plus, “ability to wield bladed weapons” is really high up there on my list of turn-ons.

Oh give me a break, she’s only two months younger than me.

Overall: It’s not for everybody, and I’ll be damned if I’d let my hypothetical children watch it, but if you don’t mind bloody, violent comedies, and are prepared to maybe watch something that doesn’t quite know when to tone it down, than Kick-Ass 2 should prove enjoyable enough. Maybe hold off on eating while watching, though.

Rating: 6.5/10

The comic is total shit though. Just so you know.

 

Oscar Movie Review: 12 Years a Slave

You know what? The opening that I had planned for this year strayed a little bit too much on the uncomfortably dark side of the “Edgy” spectrum, and so, considering the subject matter, I decided to just jump right in.

12 Years a Slave

  Directed By: Steve McQueen (No, not THAT one)

  Produced by: Brad Pitt, Dede Gardner, Jeremy Kleiner, Bill Pohlad, Steve   McQueen, Arnon Milchan, Anthony Katagas

 Written by: John Ridley

Based on: Twelve Years a Slave by Solomon Northup

 Genre: Epic, Biographical drama

 Starring Chiwetel Ejiofor, Michael Fassbender, Lupita Nyong’o, Benedict Cumberbatch, Paul Dano, Paul Giamatti, Sarah Paulson, Brad Pitt

Other Actors: Adepero Oduye, Scoot McNairy, Taran Killam, Michael K. Williams, Garret Dillahunt, Alfre Woodard, Quvenzhane Wallis (Jesus Christ, that name!)

Oscar Nominations: Best Film Editing, Best Costume Design, Best Production Design, Best Adapted Screnplay (Ridley) Best Supporting Actress (Nyong’o) Best Supporting Actor (Fassbender) Best Actor (Ejiofor) Best Director (McQueen) Best Picture

Plot: Solomon Northup is a free black man living in 1841 Saratoga Springs, New York. He has managed to eke out a nice living for his family as a carpenter, and an extremely talented fiddler. While his wife and children are away on a trip, Solomon is offered and accepts a two week job as a travelling musician. Unfortunately, at the tour’s end in D.C., his employers (McNairy and Killam) drug him, and he wakes up bound in chains, kidnapped, and about to be sold into slavery.

Heads Up: This plot summary is a little more revealing then I’d like it to be, normally, so if you don’t want to learn too much about the story (Although I don’t actually mention any spoilers) go ahead and skip to the photo of Jennifer Lawrence, Nicholas Hoult and Peter Dinklage being cute.

Solomon is packed onto a ship and shipped to New Orleans, where he is renamed “Platt” (The name of a runaway slave from Georgia) and put on the market by the evil, unrepentant slave owner, Theophilus Freeman (Giamatti), which has got to be one of the most ironic last names in the history of cinema. Freeman sells Solomon to the plantation owner, William Ford (Cumberbatch). Ford is generally a good person (Or, you know, as good a person who believes that owning other people is fine by God could possibly be), and takes a liking to Solomon after the latter engineers a waterway for transporting logs through the plantation, even giving him a violin in gratitude.

Unfortunately, not everybody on the plantation is as fond of Solomon as Ford. The plantation carpenter, John Tibeats (Dano), resents him , and routinely verbally abuses him. One day, Tibeats pushes Solomon over the edge, and Solomon attacks him, beating him with his own whip. However, this provokes a lynch mob, and, to protect himself and Solomon, he sells his prize slave to a cotton plantation owner, Edwin Epps (Fassbender). While Ford probably wasn’t as compassionate as he thought he was, Epps is much, MUCH worse.

Epps uses a literal interpretation of the Bible to justify his and his wife (Paulsen)’s horrific abuses of their slaves. While there, he befriends Patsey (Nyong’o), a young slave woman who has gained Epps’ favour by picking a shitload of cotton every day (Slaves on Epps’ plantation are expected to pick 200 lbs of cotton each day, or they get beaten to hell) and Samuel Bass (Pitt), a Canadian carpenter who displays anti-slavery sentiments.

Man, what could I say about the story of 12 Years a Slave that hasn’t been said already? Yes, it’s heavy-handed (But y’know, so was slavery) and it was extremely brutal, disturbing and difficult to watch sometimes (But y’know, so was slavery).

And yeah, you may routinely shed tears (As I admit that I nearly did) over the suffering being witnessed, and you may wish that Solomon would pull a Django Unchained and just start massacring these slaving sons of bitches, but that’s just not realistic, and ultimately, it’s a necessary viewing experience that everybody should experience at least once (Y’know, unlike slavery) to truly understand some of the darker truths of the history of the Americas. And for all the ugliness, the film still manages to be beautifully shot, and the locations really take you back to the Deep South in the 19th century.

Acting: The actors had a fantastic script to work with (Kudos to John Ridley) and each and every one gave it their all. Even the bit players (Pitt, Dano, Giamatti, Raising Hope’s Garrett Dillahunt, etc.) all make their marks on the movie. Benedict Cumberbatch and Sarah Paulsen are also excellent as William Ford and Edwin Epps’ evil wife, Mary.

However, as you may have guessed, it’s the Oscar-nominated actors who steal the show. Kenyan actress Lupita Nyong’o radiates tragic brilliance in her first-ever full length movie (She landed this role shortly before graduating from Yale). She had previously only appeared in a short film called East River and a documentary about the albino population in Kenya, which she also directed. Her performance was  contrasted wildly with Michael Fassbender’s wonderful performance of Evil Incarnate (Er, I meant “Edwin Epps”). It’s been a long time since a villain has frightened me as much as Epps. He’s a bully, a racist, a sadist, a slaver, and a religious fundamentalist who treats other human beings as objects or (In the case of Patsey) sex slaves for his own personal gratification. He may be everything that I despise rolled into one frustratingly good looking human being.

Wow, I immediately regret typing that.

Chiwetel Ejiofor steals the show, however, as Solomon Northup. The British-Nigerian actor has immortalized himself with this star-making performance, taking the audience on an emotional roller coaster with his facial expressions alone. Hell, if the movie was just an hour-long compilation of Ejiofor’s lines, it would still probably get a good rating from me.

What Oscar Nominations Does It Deserve?

  • Best Film Editing: Okay (I’m still unclear as to what exactly that is, but sure, why not?)
  • Best Costume Design: Yes, yes, absolutely.
  • Best Production Design: Like I said, it may have ugly subject matter, but it’s still beautifully shot.
  • Best Adapted Screenplay (Ridley): Yup.
  • Best Supporting Actress (Nyong’o): Absolutely. I’d even say she was better than Jennifer Lawrence in American Hustle, which is significant when you consider how much of a Jennifer Lawrence fan I am.
  • Best Supporting Actors (Fassbender): Without a doubt, Edwin Epps is one of the greates (For lack of a better word) villains in film history.
  • Best Actor (Ejiofor): Hell yeah.
  •  Best Director (McQueen): Yes.
  • Best Picture: Absolutely. Hell, I’d nominate this movie for Best Animated Picture, if I could.

Overall Rating: 10/10

Top 10 Movie and TV Anti-Heroes Part 2: 7 and 6 (SPOILERS AHEAD)

(This is a continuation of this post.)

7. Tony Montana 

Appearances: Scarface

Created By: Oliver Stone

Portrayed By: Al Pacino

Real Name: Antonio Montana

Occupation: Former assassin, former sandwich maker, drug kingpin

No-Kill Policy?: Nope. Just don’t ask him to kill kids.

A cautionary tale for anybody planning to start a drug empire, Cuban ex-pat Tony Montana was one of 125 000 Cuban refugees who arrived in Miami during the infamous Mariel Boatlift (During which not only refugees who wanted to leave Cuba, but also hardened criminals were allowed to leave Cuba for Miami). He is sent to a refugee camp, but is released into Miami, Green Card in hand, after assassinating a former Cuban government official  for Miami drug lord Frank Lopez. The ambitious and ruthless Montana then begins a crime spree that will take him to the top of the Miami food chain (Of cocaine!)

At the bottom of the food chain? The cock-a-roaches, of course.

Al Pacino’s wonderful performance just elevated the audience’s enjoyment of the coke-addicted kingpin.With Pacino’s almost cartoonish Cuban accent, everything is just so damn QUOTABLE. Seriously, watch any fifteen minutes of Scarface and you’ll come away with whole paragraphs of the most wonderful dialogue. The movie may be almost three hours long, but just watching Tony Montana go about his antics is totally worth it, so much that even though he is a terrible human being, you end up rooting for him right until he ends up floating face-down in front of his “The World of Yours” statue.

6. Tyler Durden

Appearance: Fight Club 

Created By: Chuck Palahniuk

Portrayed By: Brad Pitt

Real Name: N/A

Occupation: Waiter, Soap maker, camera-man, revolutionary

 Fight Club has been possibly the biggest mindfuck of a movie that I have ever seen. Off the top of my head,  the only other movies that even come close to equaling the shock I felt while watching were The Sixth Sense and maybe Shutter Island, although the latter twist ending felt like more of a cop out, but I digress.

In Fight Club, a depressed, unmotivated and unnamed narrator (Played by Edward Norton) becomes incredibly bored with his  yuppie, white-collar lifestyle. However, that all  changes when he meets Tyler Durden, an incredibly charismatic, yet eccentric gutter punk who works several jobs, harming customers and sabotaging the various industries he works in. The two move in together and start a “Fight Club”, where ordinary, dissatisfied men got together to beat the shit out of each other, and occasionally commit sabotage against corporations and consumer society in general.

And sell… let’s call it “All-Organic” soap.

Tyler Durden may be insane, but he speaks a lot of truth. The extremely drastic lengths that he goes to to ensure that society are really not so much to hurt people, but to make people see how weak they have become thanks to the rampant commercialism that we see every day, and the consumer society that we have willfully lulled ourselves into becoming. He’s still crazy, obviously, but the best antagonists are the ones that we sort of agree with, and Tyler is no exception.

 

 I should have more posts up soon, since I’m on Christmas Break right now and want to get back into blogging regularly. It’s amazing how much time a part-time job takes up.